My relationship with images began through movement.

My relationship with images began through movement. At first, the camera was simply a way to observe my training, to see myself from the outside and identify my mistakes.

As I learned to understand movement, I began searching for the point of view and the precise moment that could reveal its full strength.

Using a self-timer, I became both photographer and subject, exploring the relationship between bodies, places, and the way we look at them.

This curiosity continues to shape my work in photography and film. It also led me to create Zinc Paris, an editorial project dedicated to artists and the worlds they create.